Press
Fred talk
She's been an Associate on Broadway for the last decade, striving not only to create the best possible choreography in every project she headlines but also to ensure artistic equity and access to dance education for young people. But Ali's impressive resume represents just one facet of her busy life in New York City. She wears many hats, including being a dog mom to Tink.
Washington Post
Alison Solomon, the choreographer on all three of Lapine’s Sondheim productions this year, says, “…she’s also not afraid to explore and develop new ideas. So if something has been done, revival after revival after revival, she’s brave enough to say, ‘Well, what if we do this instead?’”
Michigan Muse Magazine
Judy Galens writes “A Rare Opportunity: SMTD Musical Theatre Students Undertake Extensive Preparation for Roles in UMS’s Production of Fiddler on the Roof.”
One Detroit
Detroit Public TV’s One Detroit Arts & Culture program aired a segment on the UMS production of Fiddler on the Roof.
BroadwayWorld
BroadwayWorld has released pictures from the Opening Night performance and party of Smokey Joe’s Cafe: The Songs of Leiber and Stoller, with photography by Jessica Fallon Gordon.
BroadwayWorld
You’ve got a golden ticket to attend the Opening Night celebration of Charlie and the Chocolate Factory thanks to the images captured by Walter McBride.
Getty Images
Dimitrios Kambouris photographed Joshua Bergasse and Ali Solomon attending the Gigi Opening Night at Neil Simon Theatre.
Dance Magazine
Alison’s dual career as a Broadway performer and Associate Choreographer are highlighted in this feature article, Beyond the Broadway Footlights, written by Lauren Kay.
THE RECORD
Swing! is a show that is “faithful to the form but modern in its execution. We try very hard to make the evening authentic and fresh and to generate a sense of spontaneity. We try to capture the enthusiasm of the dance, as well as the moves.